Marlborough is delighted to present a group exhibition featuring works by seventeen artists working across diverse mediums including painting, sculpture, ceramics, and film. This exhibition was inspired by trailblazing abstract painter Gillian Ayres (1930-2018) and her career which spanned over sixty years. She was a maverick of her time who scorned the prevailing trends of the British art scene and instead found an affinity with the ‘action painting’ associated with the American Abstract Expressionist movement in the 1950s. Despite this, she gained great recognition for her unique and monumental artwork, frequently as a lone woman in an otherwise male dominated world. Her approach to painting was direct; a visceral response to the materiality of paint, the power of pigments and the joy she found in the act of making. As Ayres said herself, her work was uncomplicated by “any particular moment or subject”. It is in this spirit that the artists in this exhibition were invited to participate. Each bringing their own approach to making abstract art.
“In Abstract Colour, we have highlighted Gillian Ayres’ practice to punctuate each chapter in this exhibition, in conjunction with other artists working towards similar artistic concerns. Each artist uses their work to tell stories and express emotional planes experienced while making. While one’s reaction to colour cannot be generalised, colour can function as a universal language and entry point to begin conversations around our own thoughts and feelings.” - Lewis Dalton Gilbert, Exhibition Curator Lewis Dalton Gilbert is an independent curator and the creative director at A Vibe Called Tech, a Black-owned creative agency dedicated to approaching creativity through an intersectional lens. Following his BA in Fine Art at Chelsea College of Art and Design, he coordinated and produced exhibitions and projects for White Cube and Frieze and is currently the associate curator for New Art Centre, where he previously served as creative director. In 2021, he curated the Hackney Windrush Art Commissions with Veronica Ryan OBE, for which the artist won the Turner Prize.
Marlborough wishes to thank all the artists and galleries for participating in this exhibition and we are grateful to Lewis Dalton Gilbert for his care and expertise in curating this beautiful exhibition.

Gillian Ayres
Astrophil and Stella, 1982-83

Gillian Ayres
Hold On, 1987

Gillian Ayres
Marazion, 2017

Gillian Ayres
Scud, 1960

Gillian Ayres
Marsland, 2017

Remi Ajani
Bull Paintings (Untitled 1), 2022

Remi Ajani
Bull Paintings (Untitled 2), 2022

Caroline Denervaud
Never stop playing, 2022

Caroline Denervaud
The present stability between all that is happening, 2022

Caroline Denervaud
The flying horizontality of my body, 2022

Ilse D'Hollander
Untitled, 1996

Ilse D'Hollander
Untitled, 1996

Ilse D'Hollander
Untitled, 1990-91

Ilse D'Hollander
Untitled, 1990-91

Pam Evelyn
Steel Frame, 2022

Lubna Chowdhary
CERTAIN TIMES LXVII, 2022

Lubna Chowdhary
Marker 55, 2022

Lubna Chowdhary
Marker 44, 2022

Lydia Gifford
Thermal, 2022

Joseph Goody
Axiom, 2022

Joseph Goody
Nameless Spectacle, 2021

Baraj Matthews
Untitled, 2019

Baraj Matthews
Untitled Sculpture #13, 2020

Lydia Gifford
Javelin, 2022

Baraj Matthews
Untitled Sculpture #33, 2020

Joe Warrior-Walker
Ash Ground, 2022

Joe Warrior-Walker
Whale-Juice and Moonshine, 2020

Joe Warrior-Walker
Giallo, 2021

Nicola Tassie
Dunloe, 2022

Nicola Tassie
Strokes, 2022

Sam Bakewell
Drift Study, 2022

Sam Bakewell
Drift Study, 2022

Sam Bakewell
Lumb, 2022

Nicola Tassie
Test Card, 2021

Max Wade
Snowplough Stop, 2022

Max Wade
Breakdance, 2022

Max Wade
Front Crawl, 2019-21

Andrew Graves
Somewhere, 2022

Andrew Graves
Land, 2022
